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Cameo vs Intaglio: What's the Difference?
The structural difference between a cameo, carved in relief, and an intaglio, carved into the surface - and why that difference mattered for seals.
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17 articles
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Art Nouveau and Arts and Crafts jewellery share almost the same date range and both reacted against mainstream Victorian production, but one pursued artistic effect and the other craft ethics.
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Why every bangle is a bracelet, but not every bracelet is a bangle - the rigid, clasp-free construction that sets bangles apart.
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Why brooch and pin often mean the same thing, where usage diverges, and how a stickpin differs structurally from both.
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How the carved cameo and the tiny-tesserae micromosaic differ in construction and materials, despite sharing a well-documented history as Grand Tour souvenirs.
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Edwardian and Art Deco jewellery both favoured platinum, but one is soft and curved and the other hard-edged and geometric - here's how to tell the garland style from Deco.
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The direct historical comparison between the engagement ring, which varied widely by era, and the wedding ring, which stayed a plain gold band for most of the 1700-1950 period.
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Regency jewellery is not a separate era from Georgian but its late, most Neoclassical phase - here's what distinguishes Regency style within the wider Georgian sweep.
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How Georgian and Victorian jewellery differ in settings, techniques and motifs, and why Victorian jewellery itself spans several distinct phases.
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How the centuries-old, often bequeathed mourning ring compares with the more elaborate, personally chosen Victorian memorial brooch.
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The conceptual difference between natural, synthetic and simulant gemstones, and the historical turning point that made synthetic corundum widely available.
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Why paste and rhinestone describe glass simulants from different periods and manufacturing contexts, and why the two words are nonetheless often used interchangeably today.
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Why a pendant and a necklace describe different parts of the same worn ornament, and where the two terms blur together.
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How the Georgian posy ring's engraved verse differs from the regard ring's acrostic sequence of gemstones, and why both count as hidden-message jewellery.
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The strict distinction between a tiara and a diadem, and why the two words are used so interchangeably in practice.
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How Victorian jewellery's heavier gold work and mourning materials gave way to the light, platinum-set, diamond-and-pearl style of the Edwardian era.
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How to tell Art Nouveau jewellery (c.1890-1910) from Art Deco (c.1915-1935): curves vs geometry, enamel and horn vs platinum and diamonds, Lalique vs Cartier, and the features that separate the two at a glance.