Eras
Georgian Jewellery
A guide to Georgian jewellery (1714-1837): Brazilian diamonds, closed-back foiled settings, rococo and Neoclassical styles, paste, cut steel and pinchbeck, sentimental miniatures, girandoles, rivières and Sévigné bows.
Section
15 articles
Eras
A guide to Regency jewellery (c.1795-1837): Empire fashion, cameos and Neoclassical parures at Napoleon's court, coloured gold and cannetille, Berlin iron and cut steel, acrostic rings, and memorial jewellery for Nelson and Princess Charlotte.
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A guide to Victorian jewellery (1837-1901): the Romantic, Grand and Aesthetic periods, the Great Exhibition, gold rushes and 9ct gold, mourning and Whitby jet, archaeological revival, Scottish jewellery, and how to recognise each phase.
Eras
A guide to Arts and Crafts jewellery (c.1880-1920): Ashbee's Guild of Handicraft, Henry Wilson, the Gaskins and Birmingham's Vittoria Street School, Phoebe Traquair, the Glasgow Style, Liberty's Cymric range and American makers.
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A guide to Art Nouveau jewellery (c.1890-1910): René Lalique and Gulbenkian, Fouquet and Mucha, Vever and Gaillard, plique-à-jour and horn, Jugendstil, Liberty's Cymric range, Tiffany, and the mass-produced silver that spread the style.
Eras
A guide to Edwardian jewellery (1901-1915): platinum and the garland style, Queen Alexandra's dog collars, Cartier, Boucheron and Fabergé in London, the Cullinan diamond, lavaliers, milgrain settings and day jewellery.
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A guide to Art Deco jewellery (c.1915-1935): geometric symmetry, the 1925 Paris Exposition, Cartier's Tutti Frutti and Van Cleef & Arpels' Mystery Set, the modernist jewellers, new stone cuts, Egyptian and Indian influences, and costume jewellery.
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A guide to 1930s jewellery: all-white diamond and platinum, dress clips and double clips, Van Cleef & Arpels' Mystery Set, Belperron and Boivin, Chanel and Schiaparelli, Hollywood, Bakelite and marcasite, and the move towards Retro.
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A guide to 1940s jewellery: wartime platinum bans and the rose-gold Retro style, Cartier's caged bird, Van Cleef & Arpels and Verdura in New York, American costume jewellery in sterling and Lucite, British Utility rings, sweetheart badges and the New Look.
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A chronological guide to jewellery history from the Georgian era to the 1940s - how style, materials and meaning changed decade by decade across Britain, France and the United States.
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How enormous new industrial wealth fuelled American fine jewellery in the decades after the Civil War, Tiffany & Co.'s major historical role, and the period's close ties to European style.
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How the Castellani of Rome, Carlo Giuliano in London and others revived Etruscan, Greek and Roman goldwork in the 19th century - granulation, filigree, mounted coins and scarabs - and how to recognise revival jewellery and its mass-produced imitations.
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How early medieval Irish and Scottish brooches inspired 19th- and early 20th-century jewellery: Tara Brooch replicas from Dublin, Scottish plaid brooches, Iona silver, Archibald Knox and Liberty, and the interlace to look for.
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Three waves of Egyptian revival jewellery - after Napoleon's Egyptian campaign, in the 1860s around the Suez Canal and Aida, and after Tutankhamun's tomb in 1922 - with scarabs, lotus flowers, winged discs and how to tell revival pieces apart.
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How medieval architecture and romance shaped 19th-century jewellery: French 'cathedral style' of the 1820s-30s, Berlin iron tracery, A.W.N. Pugin's jewellery for the 1851 Great Exhibition, and the quatrefoils, crosses and black-letter inscriptions to look for.